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19 2017 May

IHSEs Draco KVM Extender Compliant With Intel’s OPS+-Equipped Displays

IHSE created the Draco OPS+ KVM to support the growing number of digital signage and command-and-control installers implementing displays equipped with Intel’s open pluggable specification (OPS+). It is based on IHSE’s Draco Ultra DisplayPort CON extender and features video and USB-HID display components for KVM.

The Draco OPS+ package design is based on OPS+, which Intel created to help standardize the design and development of ultra-high-definition digital signage devices and pluggable media players. It was launched as a way to bring standardization to a highly fragmented media player market. By utilizing an Intel-owned Arria processor and creating a simplified architecture, OPS+ has allowed for more cost-effective design, deployment and management of display devices such as IHSE’s OPS+ KVM.

As large video displays become more centralized to business operations, it becomes more critical that manufactures prioritize what works best for the end users. In many cases, users add a typical KVM extender module to connect the display back to the computer source over long distances. However, current remote extender concepts add an additional box, which increases the amount of cables and power connections needed. This adds an additional layer of hardware maintenance and more possibilities for a security breach. With the pluggable slot design of OPS+, a higher level of security is possible while reducing the need for additional power. By repackaging the Draco ultra console (CON) extender to fit the OPS+ slot, IHSE created a module design that effectively lowers the deployment and field maintenance costs associated with connecting workstations or digital signage over long distances.

From the OPS+ extender CON unit, a duplex fiber cable can increase the distance between the display and source by up to 10 kilometers. By incorporating a KVM matrix switch, multiple OPS+ extender modules can be easily managed over IHSE’s Tera Viewer GUI. The KVM switch’s built-in control methods allow permission-only access to touch-screen displays, podium presentation equipment, or an operator’s workstation before granting access to the CPU.
Normally system installers and users of large video walls are the ones who are looking for affordable and reliable extender solutions that support 4K video and KVM/touch-screen interfaces. Although many commercial enterprises are quickly moving to 4K resolutions, they are still strapped with limited bandwidth access and minimal budgets for upgrading to higher resolutions. However, new compression technologies, such as the Fraunhofer IIS lightweight image coding technology (Lici) used in IHSE’s OPS+ KVM extenders, yield higher color accuracy and improved image quality to overcome the limitations of traditional video compression techniques. IHSE’s new OPS+ Ultra DisplayPort extenders can manage up to full 4K (4:4:4) 60 hertz at 30 bits without latency.

With KVM systems like those from IHSE, it is not necessary to configure OPS+ extender endpoints on the network. Using IHSE’s flex-port technology, users simply connect OPS+ modules to the matrix switch, and the switch automatically configures them for the port assigned. There is no need to create IP-mapping structures, thus eliminating the need for IP addressing of each OPS+ device. As future displays are added, a technician can simply attach an OPS+ module to an open port on the KVM switch and be operational in minutes.

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19 2017 May

IHSE’s New Draco vario Extenders Support SDI Signal Formats

IHSE’s Draco vario KVM/SDI converters advance the capabilities of SDI-to-computer video by automatically detecting the input video format and instantly changing between SDI broadcast formats to high-definition DVI, HDMI or DisplayPort computer video formats. Traditionally KVM and broadcast systems have been considered isolated architectures, but now with IHSE’s new 486 Series, these different architectures can be shared and configured under a single matrix system. The Draco vario KVM/SDI extenders are used in TV studio, postproduction, digital cinema or audio-visual applications in which users need to show digital video from an HDMI source on a professional SDI monitor, or input an SDI source for preview and monitoring purposes through a KVM switch connected to a computer display.

KVM has become much more important for broadcast-related system design because of the increased adoption of digital video servers and computers throughout the broadcast ecosystem. As system designers continue to integrate server-based architectures for editing and playback options, they must configure systems using traditional human interface devices, such as a keyboard and mouse from each workstation. However, KVM is usually considered part of the backroom network services, so many of the latest features of a professional KVM system are missed during the original design phase.

A key benefit of the Draco vario KVM/SDI extender is its ability to connect directly to a KVM matrix switch. Previously, creating an SDI-to-HDMI conversion required a secondary converter box connected to the KVM extender. In this scenario, each display or source connection required additional cabling, power and a converter unit, thus doubling the unit cost and maintenance concerns. With the Draco vario KVM/SDI, the conversion to and from the extenders happens inside the same module, thereby reducing power consumption and cabling and eliminating the need for extra power outlets or module placement.

Video scaling and deinterlacing is included in the SDI extender, enabling conversion as required between 720p50/60 or 1080i50/60 SDI video streams and digital formats including 1080p, 1600 x 900 and 1920 x 1200. This capability ensures that the appropriate video resolution is available to suit the connected monitor. SFP modules are available to suit dual-input and dual-output configurations. In addition, the extender supports a loopback option, enabling an SDI signal to be passed on to additional SDI devices while being input into the extender for KVM distribution.

There are two models available: the L486 model that converts SDI input signals to IHSE’s flex-port technology for integration to a KVM matrix switch, and the R486 model that converts flex-port technology to SDI for connecting broadcast-style monitors. Each model offers optional redundant flex-port connections that can be used for critical-path applications where a backup system is desired or where a source needs to be shared between two separate switch systems. This capability enables an uninterrupted connection during maintenance, a backup system in fully redundant or missional-critical environments, or the ability to share CPU sources between multiple KVM systems.

Both the L486 and R486 models support optical fiber connections between the extenders and KVM matrix, and can extend video, keyboard and mouse up to distances of 10 kilometers on each side of the matrix. Often it is necessary to run a second cable to a different matrix in case the main input is lost. With an optional extender that adds dual-port links for redundancy, these converters can automatically switch over to the second input­­––a great option for operations that cannot afford to lose a signal or go off air.

 

19 2017 May

Industry Accolades for Avid Customers at BAFTA® Television Awards

British Academy of Film & Television Arts honors the creative professionals behind British television’s most captivating programs

Avid® congratulates its award-winning and nominated customers for their outstanding achievements at the Virgin TV British Academy Television Awards, hosted by the British Academy of Film & Television Arts (BAFTA®).

The awards recognize the very best in television broadcast on British screens in 2016 with the most prestigious British television industry accolade. With projects brought to life with industry-standard tools from the Avid Artist Suite nominated across multiple categories, Avid talent was of the highest caliber in the 2017 shortlist.

Many of Britain’s most respected creative professionals relied on Avid’s comprehensive tools for media creation to deliver a catalog of compelling and unforgettable programming. They used tools like the preeminent nonlinear editing system Avid Media Composer® and the industry-standard digital audio software Avid Pro Tools®, powered by the MediaCentral® Platform—the industry’s most open, tightly integrated and efficient platform designed for media.

Documentary series 24 Hours in Police Custody follows the trials and tribulations of the British police force, and was nominated in the Factual Series category. Brought to screens by The Garden Productions, the series was cut on Media Composer by post house Evolutions TV.

“With such a high caliber of television content creators nominated, it’s a privilege to be nominated for a BAFTA for the work we completed on 24 Hours in Police Custody,” said Simon Kanjee, Managing Director of Evolutions TV. “Media Composer is vital when our customers edit and it gives us the freedom to work at the speed our customers require to meet demand.”

The majority of nominees for the BAFTA TV Award for Soap and Continuing Drama, including iconic British soap operas EastEnders and winner Emmerdale, also relied on Media Composer. In the Drama series category, another award-winning project crafted with Avid solutions was the critically acclaimed BBC drama series, Happy Valley, which explores the grittier, darker side of everyday British society.

“Avid’s industry-leading solutions have enabled our distinguished customer community of the UK’s most talented, creative storytelling professionals to connect with their audiences more efficiently, powerfully and collaboratively,” said Avid President, Jeff Rosica. “We congratulate everyone involved on their outstanding achievements and we look forward to seeing the work that they and their peers create for all of our enjoyment in the future.”

Other award-nominated projects that relied on Avid creative tools include entertainment programming like Strictly Come Dancing and sports productions like Six Nations: England v Wales.

 

19 2017 May

Drone Cinematography

Drone usage has become a staple in cinematic television production. Each new innovation brings new decisions to be made by producers, directors, cinematographers, and drone operators. Join Michael Chambliss of Local 600 and a panel of experts as they discuss how the latest drone technology is driving innovation in television production quality, safety, and reliability.

Friday June 2, 12:30-1:30 PM Paramount Theater

Panelists:

Rodney Charters, ASC Cinematographer (The Last Ship, Criminal Minds: Beyond Borders, 24)

Decker Watson, Executive Producer/Showrunner, Deadliest Catch

Ernie Montagna – Drone Operator, Original Productions (Deadliest Catch, Bering Sea Gold)

Deran Sarafian, Director / Producer (Rosewood, The Strain, Rush, House M.D)

Chad Daring, Drone Pilot (Rosewood)

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19 2017 May

AMIA Presents Spotlight Award at DAS 2017

The Association of Moving Image Archivists (AMIA) presented Dr. James Hendler with the AMIA Spotlight Award on May 5 during the organization’s Digital Asset Symposium in New York. The Spotlight Award is given in recognition of significant contributions to the organization or to the field of media preservation and access. Dr. Hendler’s visionary role in creating access to diverse content through semantic technologies and machine learning led to the AMIA Board’s decision to honor his accomplishments.

Dr. Hendler is the director of the Institute for Data Exploration and Applications, and the Tetherless World Professor of Computer, Web and Cognitive Sciences at Rensselaer Polytechnic Institute. He also serves as a director of the UK’s charitable Web Science Trust. A highly respected author and expert, Hendler has written over 350 books, technical papers and articles in the areas of semantic web, artificial intelligence, agent-based computing and high performance processing. His most recent book is Social Machines: The coming collision of artificial intelligence, social networking and humanity.

“Dr. Hendler’s pioneering work with semantic web, artificial intelligence and open data have been invaluable to our field and will continue to inspire and define the expanding universe of digital moving image archives,” said AMIA President Andrea Kalas. “We are indebted to him – he has helped content and metadata be available for researchers of today and dreamers of tomorrow.”

An originator of the “semantic web,” Hendler received the 1995 Fulbright Foundation Fellowship and is a former member of the U.S. Air Force Science Advisory Board, and a Fellow of the Association for the Advancement of Artificial Intelligence, the British Computer Society, the IEEE, and the AAAS. He is also the former chief scientist of the Information Systems Office at the U.S. Defense Advanced Research Projects Agency (DARPA) and was awarded a U.S. Air Force Exceptional Civilian Service Medal in 2002. In 2012, he was one of the inaugural recipients of the Strata Conference “Big Data” awards for his work on large-scale, open government data. Hendler also serves as a columnist and associate editor of Big Data, a peer-reviewed industry journal that provides a unique forum for world-class research in this growing field. In 2013, he was appointed Open Data Advisor to New York State, and in 2015 he was selected to serve on the U.S. Homeland Security Science and Technology Advisory Committee. Last year, Hendler became a member of the National Academies Board on Research Data and Information.

AMIA is a non-profit professional association established to advance the field of media archiving by fostering cooperation among individuals and organizations concerned with the acquisition, description, preservation, exhibition and use of audiovisual materials. AMIA’s members range from those who work solely with moving images to organizations where media elements are only a small part of their collection and individuals who want to protect their personal collection (home movies, small gauge or video), as well as film buffs concerned with losing our visual heritage.

 

19 2017 May

ICG CineGear Panel: Telling Stories with LED Lights

Cinematographers have a new creative tool in their arsenal: high quality LED lighting sources. LEDs offer greater flexibility, control and reliability. The lights can be hidden discreetly under a table, wrapped around a pole and even floated (hung). LEDs enable greater subtlety and precision, they open the door to new kinds of lighting schemas and new ways to design and control color palettes.

Hear from leading cinematographers and gaffers discussing how they work with off-the-shelf products, custom built sources and lighting programmers to finesse traditional looks and to explore new visual territory. Learn about their artful use of LEDs to convey mood, character and plot points on highly regarded motion picture and TV projects.

Saturday, June 3, 10:15 AM-11:30 AM at the Sherry Lansing Theater

Panel participants Include:

Mike Bauman, Gaffer; Phantom Thread, The Hunger Games: Catching Fire, Iron Man 2

Ronald Dragosh, Gaffer; Chicago Justice, Chicago PD

Jess Hall, BSC, Director of Photography; Ghost in the Shell, Transcendence, The Spectacular Now

Erik Messerschmidt, Director of Photography & Gaffer; Mindhunter (DP), Gone Girl (Gaffer), Fantastic Four (Gaffer)

Rachel Morrison, ASC, Director of Photography; Black Panther, Dope, Fruitvale Station

Steven Poster, ASC, Director of Photography; Amityville: The Awakening, Southland Tales, Donnie Darko

James Plannette, Gaffer; The Artist, The Adjustment Bureau, Ocean’s Eleven, Traffic

Lisa Wiegand, ASC, Director of Photography; Chicago Justice, American Crime, Chicago Fire (pilot, Seasons 1-3)

 Moderator:

Michael Chambliss, Technologist & Business Representative, International Cinematographers Guild IATSE Local 600

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19 2017 May

“VFX for Episodic – Magic on the Small Screen” at Disney on June 1 at 7pm

Join VES for an insider’s look into Episodic VFX and meet the leaders who are changing the landscape of TV and VFX.

The evening includes:

  • Overview of the current landscape, the trajectory of the business and the opportunities
  • Panel of Pros, including those who make it happen (VFX and compositing supervisors, producers and VFX coordinators) and production studio executives who discuss the meteoric growth, their challenges, their goals
  • Refreshments, beer/wine and networking!

The event is open to all (just $25 for non-VES members; free to VES members).  Register Here

18 2017 May

NET Levels Up

By Debra Kaufman

On May 24, HPA will hold its second NET (Networking Education Technology) event, the first since last summer’s. Last July, the then-SCRG (Sales Career Resource Group) changed its name to NET and announced a meeting featuring a “revitalized, disruptive and evolved format.” Taking a page from HPA Tech Retreat’s popular breakfast roundtables, the get-together featured tables with topics ranging from audio, VR and IMF to archiving and localization.

At this event, says NET co-chair Josh Wiggins, chief commercial officer of startup GrayMeta, the format has evolved. “It’s like the HPA Tech Retreat breakfasts meet speed dating,” he says. The number of topics has also been condensed to three main tracks, on complex content workflows, immersive content (360-degree video, VR/AR) and AI/machine learning. Each of three sessions lasts 20 minutes, with five minute breaks in between. An attendee can move among the tracks and topics at will during the three 20-minute sessions where, at ten tables, a table host leads the discussion.

Even though the table host stays at the same table, they too find the conversation interesting. “That’s because the attendees change, so does the conversation and the opinions,” says Wiggins. “Each session is different – and we’re stocked with good topics and participants.” To create the NET event, HPA president Seth Hallen and Wiggins tapped Eliot Sakhartov, a Microsoft account technology strategist in media & entertainment, as NET co-chair.

Sakhartov, who was a table monitor on a cloud discussion at the last NET event, notes that feedback from the past two events played an important role in transforming it. “People wished there were more time to go to more tables,” he says. “We revamped it a bit so people can understand the tracks and decide which portion of the business they’re interested in. We’re streamlining the themes.”

Along with Wiggins, he’ll be floating through the room on May 24 making sure everything works smoothly. “It’s not only a good experience for me,” Sakhartov says. “But the event itself is so valuable. It’s creating a way where people in our industry can come together and learn something new.” Wiggins points out that NET has also connected with the Women in Post and Young Entertainment Professionals teams to help organize the event and promote it among its members.

Wiggins stresses that no one is there pitching products, and that the topic-specific conversations can and will vary. Each topic or theme will devote a table to the beginning, middle or end of the supply chain. By picking among the 10 tables, an attendee can mix up topics and choose to focus anywhere in the supply chain. “If you don’t give a hoot about virtual reality, you can sit at the artificial intelligence tables,” says Wiggins. Just like the HPA Tech Retreat breakfast roundtables, if a table fills up, attendees can grab a chair and join.

Sakhartov enthuses about the AI portion of the event, as well as the examination of HDR, IMF and UHD. For the former, ETC @ USC project director and Novamente chief executive Yves Bergquist and Novamente chairman Dr. Ben Goertzel will lead a deep discussion on how machine learning and AI will play a growing role in the supply chain for entertainment. For the latter, Sony Pictures’ Greg Geier and Disney’s Ryan Kido will host a table discussion on the joys and challenges of mastering and distributing IMF, UHD and HDR.

Wiggins says that NET plans to maintain the three topics for the foreseeable future, since all the new technology looming in the near future fits into these buckets. “There’s room for growth,” he says. “Meanwhile, you can network, get education and keep up with technology.”

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16 2017 May

HPA Awards Creative Categories Call for Entries Opens Today

HPA Awards Creative Categories Call for Entries Opens Today

12th Annual Industry Awards Honor Excellence in Sound, Editing, VFX, Color

May 15, 2017 (Los Angeles, CA) The Hollywood Professional Association (HPA®) has opened its Call for Entries in Creative Categories for the 12th annual HPA Awards. These awards are considered standard-bearing honors for groundbreaking work and artistic excellence, recognizing creative artistry in color grading, editing, sound, and visual effects in feature film, television, and commercials.

The HPA Awards shine a spotlight on talent, innovation and engineering excellence in the professional media content industry. The 12th annual gala awards presentation will be held on the evening of November 16, 2017 at the Skirball Cultural Center in Los Angeles, California.

Entries are now being accepted in the following competitive categories:

  •  Outstanding Color Grading – Feature Film
  •  Outstanding Color Grading – Television
  •  Outstanding Color Grading – Commercial
  •  Outstanding Editing – Feature Film
  •  Outstanding Editing – Television
  •  Outstanding Editing – Commercial
  •  Outstanding Sound – Feature Film
  •  Outstanding Sound – Television
  •  Outstanding Sound – Commercial
  •  Outstanding Visual Effects – Feature Film
  •  Outstanding Visual Effects – Television
  •  Outstanding Visual Effects – Commercial

Entries for the Creative Categories will be accepted between May 15 and July 10, 2017, and Early Bird Entries (reduced entry fee for the Creative Categories) will be accepted through June 12, 2017. To be considered eligible, work must have debuted domestically and/or internationally during the eligibility period, September 7, 2016 through September 5, 2017. Entrants do not need to be members of the Hollywood Professional Association or working in the U.S.

As announced previously, the Call for Entries remains open for the Engineering Excellence Award, which will be bestowed at the November gala, until May 30th, 2017. Additional special honors, including the HPA Lifetime Achievement Award, will be announced in June.

Seth Hallen, President of the HPA and a founding member of the HPA Awards Committee, commented, “The HPA Awards have grown into an unmissable evening, bringing the creative community together. The judging is peer driven, so these honors resonate to winners and nominees alike. In the past 12 years, we have judged and honored the most compelling creative work. And, every year, in every category, the submissions are of the highest caliber. I sincerely encourage individuals and companies to enter the HPA Awards. It’s where we show the world the talent, fierce dedication and hard work behind the story. We look forward to another very special event on November 16th.”

Complete rules, guidelines and entry information for the Creative Categories and all of the HPA Awards are available at: www.hpaawards.net. For a list of the previous years’ winners, click here.

The HPA Awards are made possible through the generous sponsorship of Foundation Members Avid, Co3, Deluxe, Dolby, EFILM, and Encore; and Platinum Sponsors IMAX and Sohonet. For sponsorship or program advertising opportunities, contact Jeff Victor at jvictor@hpaonline.com or 213.614.0860. Opening of ticket sales will be announced shortly.

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About the HPA® Awards

The HPA Awards were created to foster awareness and recognize the achievements of the individuals and companies that have contributed to groundbreaking technologies and creative excellence within the professional media content industry, and build involvement in the Hollywood Professional Association. The HPA is a partner of the Society of Motion Picture and Television Engineers® (SMPTE®). Information about the HPA Awards is available at http://www.hpaonline.com.

About the Hollywood Professional Association®

Hollywood Professional Association (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers® (SMPTE®), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at http://www.hpaonline.com.

About the Society of Motion Picture and Television Engineers® (SMPTE®)
For more than a century, the people of the Society of Motion Pictures and Television Engineers (SMPTE, pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, the Society has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. SMPTE has developed thousands of standards, recommended practices, and engineering guidelines, more than 800 of which are currently in force today. SMPTE Time Code™ and the ubiquitous SMPTE Color Bars™ are just two examples of the Society’s notable work. As it enters its second century, the Society is shaping the next generation of standards and providing education for the industry to ensure interoperability as the industry evolves further into IT- and IP-based workflows.

SMPTE’s global membership today includes more than 7,000 members: motion-imaging executives, creatives, technologists, researchers, and students who volunteer their time and expertise to the Society’s standards development and educational initiatives. A partnership with the Hollywood Professional Association (HPA) connects SMPTE and its membership with the businesses and individuals who support the creation and finishing of media content. Information on joining SMPTE is available at www.smpte.org/join. 

All trademarks appearing herein are the properties of their respective owners.

 

Media Contact:
ignite strategic communications
p: 818.980.3473
christine purse | chris@ignite.bz
kate eberle | kate@ignite.bz

 

 

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25 2017 Apr

HPA Awards Opens Call For Entries for Engineering Excellence

Prestigious honors will be bestowed at HPA Awards on November 16, 2017

April 23, 2017 (Los Angeles, CA) The Hollywood Professional Association (HPA®) opened the call for entries for its coveted Engineering Excellence Award today during the Future of Cinema Conference at the 2017 NAB Show. Submissions for the engineering awards will be accepted from April 23, 2017 to May 26, 2017. Now in its 12th year, the HPA Engineering Excellence Award is considered one of the most important technology honors in the industry, spotlighting companies and individuals who draw upon technical and creative ingenuity to develop breakthrough technologies.

Joachim Zell, Chair of the Engineering Excellence Award Committee, noted, “This award spotlights the work that the engineering community executes to serve storytellers and the creative process. Their contributions are invaluable and continually evolving to improve the way we work. With a dozen years into the process, the Engineering Excellence Award remains a highly competitive honor that offers the engineering community well-deserved recognition for the critical, creative work in which they are engaged.”

Submissions for this peer-judged award may include products or processes, and must represent a significant step forward for its industry beneficiaries. Past winners have included Aspera, Dolby, Canon, NVIDIA, MACOM, The Foundry/Sony Pictures Imageworks, Panasonic and Quantel.

Presentation to a blue ribbon industry panel is required of applicants, and will take place on Saturday, June 17, 2017 in Los Angeles, California. Details for presentations will be announced soon. The Engineering Excellence Award will be bestowed during the HPA Awards gala on the evening of November 16, 2017 at the Skirball Cultural Center in Los Angeles, CA.

HPA President Seth Hallen noted, “The Engineering Excellence Award recognizes the genius of our industry in advancing the creative process through technology. It also honors the hard work and persistence required to develop robust working solutions. Every year on judging day, when innovators present their work, we are inspired. It’s a testament to the demanding, competitive nature of our industry, its dedication to excellence, and the community that we share.”

Entries for the Engineering Excellence Award will be accepted until the 26 of May, 2017. Winners will be announced in advance, and honors presented at the HPA Awards gala.

In addition, the HPA Awards will again honor important craft categories including Outstanding Color Grading, Editing, Sound and Visual Effects for feature film, television and commercials. The call for entries in these creative categories will be announced in mid-May 2017.

For more information about the HPA Awards, including complete rules, guidelines and entry information, please visit www.hpaawards.com.

For information about sponsorship opportunities for the 2017 HPA Awards show, contact Jeff Victor at jvictor@smpte.org.

Image link: http://bit.ly/2pWGINx

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 About the HPA® Awards

The HPA Awards were created to foster awareness and recognize the achievements of the individuals and companies that have contributed to groundbreaking technologies and creative excellence within the professional media content industry, and build involvement in the Hollywood Professional Association. The HPA is a partner of the Society of Motion Picture and Television Engineers® (SMPTE®). Information about the HPA Awards is available at http://www.hpaonline.com.

About the Hollywood Professional Association
Hollywood Professional Association (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers® (SMPTE®), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at http://www.hpaonline.com.

About the Society of Motion Picture and Television Engineers® (SMPTE®)

Winner of an Oscar® and multiple Emmy® Awards, the Society of Motion Picture and Television Engineers® (SMPTE®) is a global leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem. A professional membership association that is internationally recognized and accredited, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. For a century, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines. Nearly 7,000 members – motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students – who meet in Sections worldwide, sustain the Society. Through the Society’s partnership with Hollywood Professional Association (HPA®), this membership is complemented by the professional community of businesses and individuals who provide the expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television programs, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at http://www.smpte.org/join.

 

Media Contact:
ignite strategic communications
christine purse | kate eberle
+1 818 980 3473 | chris mobile: +1 323 806 9696
chris@ignite.bz| kate@ignite.bz